Archive for Architecture

The 15,000 Tile Building

 

 

Covering external walls with ceramic tiles is a Portuguese tradition with at least 500 years. The new MAAT (Museum of Art, Architecture and Technology) in Lisbon took this tradition one step further and used 15,000 3D wall tiles to cover its walls.

 

 

Traditional Portuguese tiles ('azulejos')

Traditional Portuguese tiles

 

The MAAT tiles were manufactured in Barcelona by the same company that worked with Antoni Gaudí, and it’s still working in ‘La Sagrada Família’.

Wall tiles, MAAT Lisbon

Wall tiles, MAAT Lisbon

 

The 60cm high tiles are hollow to reduce the weight. The architect says they will (intentionally) start cracking very soon.

 

Some interesting facts about MAAT:

  • 15,000 hexagonal wall tiles cover the building.
  • The tiles are mechanically fixed.
  • Designed by Amanda Levete Architects by direct invitation.
  • The Museum Director is an Architect – Pedro Gadanho (former MoMA curator).
  • 420 m2 of minimal frame windows – PanoramAH system.
  • The central gallery has an oval shape and it is below the river level.
  • Construction cost: €20 million.
  • Construction cost per m²: €2,702. (Gross internal floor area 7,400m²).
  • It is possible to walk over the roof.
  • Owned by the Portuguese electricity and gas provider EDP.

15,000 wall tiles cover the MAAT’s walls

 

It is possible to walk over the MAAT’s roof.

 

 

Visit MAAT’s website here.

Spanish Architects Receive Pritzker Prize 2017

 

Rafael Aranda, Carme Pigem and Ramon Vilalta (RCR Arquitectes) were awarded the 2017 Pritzker Prize. It is the 2nd time that this prestigious prize goes to a Spanish Architect (Rafael Moneo was the 1996 winner).

Rafael Aranda, Carme Pigem & Ramón Vilalta (RCR Arquitectes), the 2017 Pritzker Architecture Prize Laureates

The Pritzker Architecture Prize is awarded annually to honor a living architect or architects whose built work demonstrates a combination of those qualities of talent, vision, and commitment, which has produced consistent and significant contributions to humanity and the built environment through the art of architecture.

 

Bell–Lloc Winery, 2007, Palamós, Girona, Spain

 

The three architects have worked closely together for almost 30 years in a deliberate and thoughtful approach to architecture. 

 

Bell–Lloc Winery, 2007, Palamós, Girona, Spain

 

What sets them apart is their approach that creates buildings and places that are both local and universal at the same time.

 

Lake Pavilion, 2001, Llagostera, Girona, Spain

 

Based in Olot, Catalonia, Spain, they have developed a process in which neither a part nor whole of a project can be attributed to one partner, it is a true collaboration. Their creative approach is a constant intermingling of ideas and continuous dialogue.

 

La Lira Theater Public Open Space, 2011, Ripoll, Girona, Spain In collaboration with J. Puigcorbé

 

Each building designed by these architects is special and is uncompromisingly of its time and place.

 

Les Cols Restaurant Marquee 2011 Olot, Girona, Spain

 

Their works are always the fruit of true collaboration and at the service of the community. They understand that architecture and its surroundings are intimately intertwined and know that the choice of materials and the craft of building are powerful tools for creating lasting and meaningful spaces.

 

Sant Antoni – Joan Oliver Library, Senior Citizens Center and Cándida Pérez Gardens, 2007, Barcelona, Spain

 

The Catalonian trio has an extraordinary ability to express the local, but also the universal, uniting us with one another through architecture.

 

Shadow Space Lotus Blau, 2005-2007, Santa Colona de Farners, Girona, Spain

 

The architects have also tackled important works outside their home in Catalonia. They have built in Belgium and France. The Soulages Museum (2014) in Rodez, France, for example, houses the works of the abstract painter Pierre Soulages and forms a symbiosis with the artist, who seems to paint with light. This building of steel and strong geometric shapes cantilevers over the site, seeming to defy gravity and like many of their other works is in dialogue with the landscape. The architects have sought to createa space that is as close to nature as possible, enhancing our sense that we are part of it.

 



Soulages Museum, 2014, Rodez, France In collaboration with G. Trégouët

 

The architects have built the museum almost entirely of coarse steel plate, inside and out, a material that they have worked with extensively, as in their Les Cols Restaurant in Olot. The Cor-Ten for the exterior is burnt in appearance, creating a mottled, painterly effect and echoing some of the battered, acid-etched plates for Soulages engravings.

 

 

The 2017 Pritzker Prize Jury Citation states, in part:
we live in a globalized world where we must rely on international influences, trade, discussion, transactions, etc. But more and more people fear that because of this international influence we will lose our local values, our local art, and our local customs Rafael Aranda, Carme Pigem and Ramon Vilalta tell us that it may be possible to have both. They help us to see, in a most beautiful and poetic way, that the answer to the question is not “either/or” and that we can, at least in architecture, aspire to have both; our roots firmly in place and our arms outstretched to the rest of the world.

The Secret Guide to Deal with Architects – Take 10

 

Our 10th and last secret tip about how to deal with an Architect is about evaluating performance.

If you have just landed here do not miss our previous tips:

 

10. Provide Feedback

Good or bad! Your Architect wants to hear from you. Your Architect wants to know if you are happy with his/her services, how can he/she improve or if there is a better way to do things. Feedback is a powerful means of personal development. It may help your Architect to be more productive or to excel in his/her performance.

The secret guide to deal with architects take 10

 

Hot Tip:  Get into the habit of providing regular feedback at the end of each project stage. Make your feedback timely, specific, and frequent. The best feedback is a combination of praise, areas for improvement, and specific suggestions. But a single line of text may just be enough! (Our feedback survey is always accessible, if you don’t have the link for it just ask us.)

 

Start from Take 1 – Stages

 

 

Related Posts Plugin for WordPress, Blogger...