Tag: Architects (Page 8 of 13)

The Secret Guide to Deal with Architects – Take 3

June 21, 2013 / barros / 5 Comments

If you have never dealt with an Architect before this is a guide for you.

If you have just landed here do not miss our previous tips:

This time we give you some tips about the Brief. The Brief is a summary of all your requirements, they may not be 100% clear or decided but they will give your Architect a starting point for your project.

3. The Brief

Now that you have appointed your Architect it is the time to tell him/her everything you wish for your project. Don’t be afraid to sound silly. Your favourite colour (read Take 2) may now be relevant to the brief.

If you are not sure about what you need let your Architect help you. Architects are used to deal with a wide range of age groups and lifestyles, you will never agree with this but many times they will know better what you need than yourself! (Just give them some time, enough talk and make sure they know what do you have for breakfast.)

Hot tip: Let your Architect know what materials you like and what style you prefer (contemporary, traditional, classic, etc). If you have photos you like show them to your Architect but PLEASE don’t ask to have exactly the same or you would be killing your Architect’s creativity. If you want to copy someone else’s design than you either don’t need an Architect or you need to stop and read this.

Go to Take 4 – Your Budget

Start from Take 1 – Stages

Finding the Right Architect

May 22, 2013 / barros / 1 Comment

It is not always easy to find the right Architect in Wexford or elsewhere. There are many factors that you should consider before you make a decision.

Some of these factors will be easy enough to evaluate, others will require a bit more research, one or two meetings, or asking for references.

Below are the factors I consider to be the most important ones.

Registered with a professional association (RIAI, RIBA, etc)

In Ireland, the title ‘Architect’ is registered and a person cannot practice as an Architect unless he or she holds the relevant qualifications. Prior to becoming an RIAI-registered architect, architects will have trained professionally for seven years, in approved universities and institutes. Architecture is one of the longest training among the professions in Ireland. RIAI Architects are required to continually seek to raise their standards of excellence in all relevant areas.

The RIAI requires to its members a minimum of 40 hours of CPD (Continuing Professional Development) activity in the course of each year.

Experience

An experienced Architect would have dealt with a number of different projects and would be familiar with all stages of a project. Just like in any other profession this experience will make him/her more diligent and knowledgeable and this can save you lots of time and money.

Creativity

A talented architect can create projects that are not only functional but aesthetically beautiful, interesting or even sexy! Architects are trained to use their imagination in a wide variety of scenarios. You should be able to evaluate this by looking at the Architect’s work.

Ability to solve problems

Every construction project will have its problems. Having the ability to solve them promptly and wisely is something that comes with experience.

Communication

It is important to feel that you and your Architect can “sing from the same hymn sheet”. Your Architect should have excellent listening skills and believe me many times he/she will act as your psychologist. Use your first instinct to feel if you connect well or not, all going well trust will come along and your treatment will be over soon.

It is also important that your Architect is able to communicate ideas effectively – to clients, engineers, planners, contractors, etc.This will make everybody’s life much easier.

Professionalism

Professionalism can be easily spotted on the first contact. An email, a phone call, a fee proposal or a meeting may be all you need to evaluate if you are dealing with a true professional or not.

Approachability

You want your Architect to be there every time you need him/her (it’s a bit like a Doctor). You want to feel that he/she is easy to approach and easy to contact. A live Twitter feed or Facebook page are great to assure you they ARE there when you need. Mobile phone or email are essential. Skype is the cherry on top of the cake.

The Love factor

This is a bit like the ‘X’ factor, your Architect either have it or not. Architects with ‘Love’ factor will go the extra mile to ensure they are happy with their work and the client is extra happy with them. This involves time, dedication and passion and not every Architect will be willing to give you this. I do not know many Architects that have this factor but if you are in County Mayo (or close enough) drop by Mark Stephens Architects and you will not be disappointed.

Many other factors are important but it will be very difficult to evaluate them before you engage an Architect.

If you are still not sure why you should hire an Architect have a look at our articles ‘10 Reasons Why You Should Hire an Architect‘ and ‘The Dream Home…??…‘.

Posted by Isabel Barros May 22, 2013

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Toyo Ito Wins the Pritzker Architecture Prize 2013

March 29, 2013 / barros / 0 Comments

Toyo Ito of Japan is the 2013 Pritzker Architecture Prize Laureate.

Toyo Ito, the 2013 Pritzker Architecture Prize Laureate

The Pritzker Architecture Prize was established in 1979 to annually honor a living architect whose built work demonstrates a combination of those qualities of talent, vision, and commitment, which has produced consistent and significant contributions to humanity and the built environment through the art of architecture. It has often been described as “architecture’s most prestigious award” or as “the Nobel of architecture.”

Serpentine Gallery Pavilion, 2002, London, U.K.

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Toyo Ito was born on June 1, 1941 in Keijo (Seoul), Korea (Japanese). His father was a business man with a special interest in the early ceramic ware of the Yi Dynasty of Korea and Japanese style paintings. In 1943, Ito, his mother, and his two elder sisters moved back to Japan. Two years later, his father returned to Japan as well, and they all lived in his father’s hometown of Shimosuwa-machi in Nagano Prefecture. His father died in 1953, when he was 12. After that the rest of family operated a miso (bean paste) making factory. At present, all but one sister who is three years older than Ito, have died.

Ito established his own architecture office in 1971, and the following year he married. His wife died in 2010.

Sendai Mediatheque, 1995—2000, Sendai-shi, Miyagi, Japan
Photo by Tomio Ohashi

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Toyo Ito calls the Sendai Mediatheque, completed in 2001 in Sendai City, Miyagi, Japan, one of the high points of his career. In the Phaidon book, Toyo Ito, he explains, “The Mediatheque differs from conventional public buildings in many ways. While the building principally functions as a library and art gallery, the administration has actively worked to relax divisions between diverse programs, removing fixed barriers between various media to progressively evoke an image of how cultural facilities should be from now on. This openness is the direct result of its simple structure, consisting of flat concrete slabs (which are honey-comb steel plates with concrete) penetrated by 13 tubes. Walls on each floor are kept to an absolute minimum, allowing the various functions to be freely distributed throughout the open areas between the tubes.“

Za-Koenji Public Theatre, 2005—2008, Suginami-ku, Tokyo, Japan

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Toyo Ito has received numerous international awards, including in 2010, the 22nd Praemium Imperiale in Honor of Prince Takamatsu; and in 2006, The Royal Institute of British Architects’ Royal Gold Medal; and in 2002, the Golden Lion for Lifetime Achievement for 8th Venice Biennale International Exhibition.

Calling him a “creator of timeless buildings,” the Pritzker Jury cites Ito for “infusing his designs with a spiritual dimension and for the poetics that transcend all his works.

Meiso no Mori Municipal Funeral Hall, 2004—2006, Kakamigahara-shi, Gifu, Japan

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Toyo Ito made this comment in reaction to winning the prize:

“Architecture is bound by various social constraints. I have been designing architecture bearing in mind that it would be possible to realize more comfortable spaces if we are freed from all the restrictions even for a little bit. However, when one building is completed, I become painfully aware of my own inadequacy, and it turns into energy to challenge the next project. Probably this process must keep repeating itself in the future. Therefore, I will never fix my architectural style and never be satisfied with my works,” he concluded

Matsumoto Performing Arts Centre, 2000—2004, Matsumoto-shi, Nagano, Japan
Photo by Hiroshi Ueda

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Ito has said that he strives for architecture that is fluid and not confined by what he considers to be the limitations of modern architecture.

When interviewed by Liddell in 2007 Ito commented “That process from creation to realization is very difficult to explain, because, generally speaking, when I imagine something, there’s no gravity and there’s nothing restricting imagination, but when we embark on the process of realization, we have to enter the real world.”

Toyo Ito Museum of Architecture, 2006—2011, Imabari-shi, Ehime, Japan
Photo by Daici Ano

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Toyo Ito museum of Architecture opened in 2011 and showcases his past projects as well as serving as a workshop for young architects.

“Firmness, Commodity and Delight”

If you want to learn more about the Pritzker Architecture Prize check out the beautiful infographic created by Innovus. Click in the image below to see full infographic.